Trade Card Tuesday: Singer Costume Cards #2

Last week I shared some cards produced by The Singer Manufacturing Co. for the Columbian World Exposition in 1893.  The cards were designed to be a souvenir of the world's fair and featured Singer sewing machine owners from around the world.  The cards proved extremely popular, leading Singer to issue another set of costume cards in 1894.

Archangel (now Arkhangelsk) is a city in northern Russia, not terribly far from Finland.  Can't you just imagine living a semi-nomadic lifestyle in the frozen tundra, but having a Singer sewing machine to help you stitch all those heavy wool and fur fabrics?  

Next in our travels:  a Singer sewist from Boulogne-ser Mer.  Her costume is rather subdued, but the headpiece is wonderful!  I wonder how that was constructed?

I'm enjoying the traditional headwear illustrated in this group of cards!  

The "chimney pot" hat became symbolic of Welsh traditional dress in the mid-1880s.

Here is the only non-home sewing machine illustrated in this set of cards.  This looks like it could be a Model 18, which has been put to use creating headwear!

I've rambled on enough for today, but I'll leave you with one final image to admire.  In addition to the wonderful costumes, this card also hints at a tradition common to many sewists - enjoying music while stitching.  Wouldn't it be great to have one's family supply music to make the stitching merrier?  Could this be the 19th Century version of the iPod?

Trade Card Tuesday: Singer Costume Cards #1

Since I discussed the Columbian World Exposition of 1893 last week, I thought this week would be a good opportunity to present some wonderful trade cards produced by the Singer Company.

Doesn't the woman's apron look like patchwork?

In 1892, the Singer Mfg. Co. commissioned a set of 36 advertising cards with the intent of giving them away as souvenirs during the 1893 World Columbian Exposition in Chicago. Titled "Costumes of All Nations", the card packaging reads: "These cards are lithographed reproductions of photographs taken on the spot in the various countries and provinces and colored there to correctly represent the native costumes. They are National Costume Studies, reliable and perfect in every detail."

Each card illustrates a native of the country or province in traditional garb, seated at or using their Singer sewing machine.  The reverse of the card has a brief description of the country and a few words about the Singer sewing machine office located there.  Distributed in boxed sets of 36, the cards are copyright 1892 by the Singer Manufacturing Co. and printed by J. Ottmann Lith. Co.  

The machines illustrated on the cards are mostly transverse and vibrating shuttle machines that were typical home sewing machines.  The machine in the card above is a VS2 (vibrating shuttle) with a fiddle-shaped base.  VS2 machines were manufactured from about 1887 to 1891.  The machine shape changed to a rectangular base after 1891 and was called a Model 27.

I chose this card more for the woman's costume than the sewing machine.  The embroidery and other details on her jacket are beautiful!  

The machine illustrated here was known as a Model 2.  It was literally the second production model and was manufactured from 1854 through the 1890s.  It was a large, heavy machine with lots of room under the sewing arm.

An industrial machine:  Model 29.  Used for sewing leather and making harnesses.

Illustrated here are two portable, hand-crank Model 12 machines. The Model 12 used a reciprocating
or transverse shuttle mechanism, and was manufactured for approximately 30 years, beginning in 1865.
The sewing machines are sitting on top of the wooden cover that was supplied with the machine.

Another set of charming costumes, and the sewing work appears to be embroidery done on a Singer sewing machine.

The "Costumes of All Nations" cards proved so popular, Singer soon issued a second set with different illustrations.  I'll save those for another day!

In the meantime, I located another website devoted to the World Columbian Exposition sponsored by the University of Virginia.  The focus of the article is the history of the fair and the effect it had on American culture.